Anna Brus

25/10/22
Introduction: Transforming the Post/Colonial Museum
DCNtR Debate #3. The Post/Colonial Museum
The Post/Colonial Museum. Zeitschrift für Kulturwissenschaften, 2022. ISBN: 978-3-8376-5397-7. Covergraphik Post-Museen, Anna Habaschy aka Minaechx Much has been said in recent years about the colonial origin and enduring legacy of former “anthropological” or imperial museums. Programmatic attempts to decolonize them by opening up (Snoep 2020, 2021), worlding (Modest et al. 2019, de Cesari et al. 2020), […]

01/09/22
The Bandjoun Station
DCNtR Debate #3. The Post/Colonial Museum
An Interview with Barthélémy Toguo, conducted by Anna Brus and Bernard Müller This conversation focuses on the local activities and community work of the visual arts centre and museum of contemporary art Bandjoun Station in the West-Cameroon highlands.[1] The project that is run by the Cameroonian artist Barthélémy Toguo goes far beyond the model of […]

18/06/22
Iconoclash in the GRASSI Museum
Seeking publicity for an international museum crisis by way of a damaged pedestal
The current debate surrounding colonial collections has unleashed a veritable feud in and around ethnological museums, which pits reformers and preservationists against one another, seemingly irreconcilably. In feuilletons, newsletters, and mailing lists, voices are growing ever shriller, and the means employed ever harsher, as peers and colleagues attack each another and seek to mobilize audiences […]

03/10/17
How to move on with Humboldt’s legacy?
Re-thinking ethnographic collections
The Humboldt Forum, which is currently being built in the middle of Berlin within the walls of the reconstructed Prussian Berlin Palace and will be hosting the collections of the Ethnologisches Museum Berlin from 2018, has become a focal point for debates on these matters in Germany. With the withdrawal of art historian Bénédicte Savoy […]